GTGan’s ‘In the mood for love’

Howdy, it’s been a while…

Let’s re-start this blogging journey with a stunning 2011 series by GTGan for Harper’s Bazaar magazine Singapore called ‘In the mood for love’.

This is a typical superficial series to me, the kind that doesn’t say much about anything but it simply too beautiful to care. The first image in particular is stunning, bright colours and meticulous lighting create a Sin City meets the Simpsons vibe, a weird but undeniably wonderful combination.

‘Porcelain Figurines’ by Martin Klimas

Using a sound activated shutter release (a technique most associated with the work of Harold Edgerton) Martin Klimas has created this stunning series which suspends time and objects.

What I find most intriguing about this series is how through destruction the porcelain figures appear to come alive and are full of movement. Although we know they are being dropped and smashed the figures look like they are almost rising up and breaking out of their confines.

There is a great skill in these images too, Klimas has created images that could never be reproduced, each figure breaks in a unique way and within microseconds of these images being made the objects exist only as a pile of porcelain on the floor. There is something quite beautiful in the idea of life through destruction.

Saying all of this, I think these images would be even better as real sculptures, the beauty and intricacy would be breathtaking.

Check out the full series here.

PSYCHO-PASS

Words cannot describe how excited I am to start Psycho-pass, it’s next on my list and will most definitely require a full day of duvet and tea so I can marathon it out. From what I’ve read online it’ll be something like a combo of Dredd’s weaponry / themes of future oppression and surveillance meets Minority Report’s ideas of violence and punishment for future crimes that are yet to happen. Let’s hope my impression is right!

This post is just a quick collection of Psych-pass content before I begin and to give you fans some great imagery and videos.

The series takes place in the near future, when it is possible to instantaneously measure and quantify a person’s state of mind and personality. This information is recorded and processed, and the term “Psycho-Pass” refers to a standard used to measure an individual’s being. The story centers around the “enforcement officer” Shinya Kougami, who is tasked with managing crime in such a world. In the future, it is possible to quantitatively measure a person’s emotions, desires, and every inclination. In this way, it is also possible to measure a person’s criminal tendency factor, which is used to judge criminals.” myanimelist.net

The artwork of Natsumi Eguchi (Hōzuki no Reitetsu)

Can we just take a moment to observe the beauty of mangaka Natsumi Eguchi’s illustrations for Hōzuki no Reitetsu. I mean seriously!!

Combining traditional Japanese art and manga in a modern way, Natsumi Eguchi’s drawings combined with the dark comedy storyline makes this Manga/Anime so original. I want the books purely for the covers, and immerse myself in this stunning world he has created. His work gives me ideas for a cosplay shoot… watch this space!

Tokyo Special 2/10 – Sakura by phantastic420

For every day I spent in the greatest city last year I will be writing a post on either a Tokyo based photographer or a series set in the metropolis. An ode to the city.

This is part 2 – Sakura by phantastic420 – Exactly one year ago I had just woken up in Shibuya, ready to take on Tokyo. The smell of Sakura wafted through the city streets and in through my hotel window, it’s a smell that will forever remind me the great city.

phantastic420‘s instagram feed is one of my favourites, abundant with beauty and colour – every day allowing us to escape to the nature of Japan, travelling through the seasons and weather from snow to sunshine. Make sure to follow! 

The Wolf Among Us

Before I start this isn’t a game review – I’m not a die hard gamer who wants to analyse this game – I thought it was cool so I wanted to share it with you guys.

The Wolf Among Us‘ is popping up everywhere, which is no surprise as it’s pretty awesome to play. A great storyline based on Bill Willingham’s comic book series ‘Fables’. The game does the beauty of comic book art justice with an almost rotoscoped/ Tarnation-esque look it’s mesmerising to watch and enchanting to play. The story sees you playing Bigby the Sherif (The big bad wolf from red riding hood in human form) who is in charge of keeping all the other fables characters from killing and making sure they maintain their human form. The game follows a series of murders for which you aka Bigby make all the important decisions in regards to solving them, all of which have massive consequences – the gaming experience is sure to be different for every player. Part 1 was epic so bring on parts 2-5!

Phantastic420 on Instagram

Phantastic420 is an Instagramer based in Shizuoka Pref, Japan. With images focused on Japanese scenery around the Mount Fuji area. A lot of the shots are taken at night and I am particularly interested in the reent uploads of the Sakura in Japan which I will be around soon. I love the lighting and colours in the images, it’s making me second guess my time of shooting. In Coventry the images were coming out too dark even at twilight but i think there are so many City lights in Tokyo I might be better off shooting at night and choosing well lit areas. This is something I will have to experiment with on my digital camera whilst i’m there.

You can see Phantastic420’s instagram feed here.

All images ©Phantastic420

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One taken at nightღ 24.Mar.2013 20:34:20 N35°07′19.799 E138°55′08.400
One taken at midnightღ 24.Mar.2013 00:04:20 N35°07′19.799 E138°55′08.400

 

One taken at midnightღ 24.Mar.2013 00:04:20 N35°07′19.799 E138°55′08.400
One taken at midnightღ 24.Mar.2013 01:42:00 N35°07′10.800 E138°49′33.599
One taken at midnightღ 23.Mar.2013 23:04:20 N35°11′84.025 E138°91′85.126

 

Izima Kaoru

Izima Kaoru is a Japanese photographer based in Tokyo, his ‘Landscape with a corpse’ series which spread over 13 years explores themes of death and beauty via depicting the fantasies and fears actresses and models have about death and then bringing that situation to a photograph. What makes the images so powerful is the juxtaposition between these beautiful women, their perfect appearances and the unusual surroundings.

©izima kaoru

Kaoru discusses how fear of death is one thing we all have in common and is a fear that he has too. His work is a visual exploration into this fear. What’s interesting is that in exploring death and subsequently religion Kaoru was unsatisfied with what the world had to offer, so turned to nature and produced the series ‘one sun’.

After fifteen years of exploring the macabre in his ongoing series Landscapes with a Corpse, Izima Kaoru looked to spirituality to ease his fear of death. Dissatisfied with what organized religion had to offer, he found his comfort in the natural world. The sun and its constancy in our existence proved to be his solace and inspiration.
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Copyright © artdaily.org

©Izima Kaoru

‘One sun’ is a beautiful series, however ‘Landscape with a Corpse’ is more relevant to my project. By taking elements of reality and fantasies Kaoru creates a character and places them in a relatable scene, then positions the character so they resemble a corpse. This is something I need to start thinking about, I am always talking about how I will show consumerism as a poison so how will I do this? Without being cliche?

Here are some more images from Kaoru’s ‘Landscape with a corpse’ series.

©Izima Kaoru

 

©Izima Kaoru
©Izima Kaoru
©Izima Kaoru

 

 

Susanna Majuri

Inspired by the hyper-reality themes in Adam Hinton’s ‘Lovin’ it’ I came across the work of Finish Susanna Majuri. In her bio Majuri says “I throw myself into a fictive reality in the shootings.” and “I want to narrate feelings like in novels.”. Albeit Majuri is speaking of different novels to the ones I have been reading, but her inspiration from literature and aspiration of fictional reality is the same as mine. What also strikes me within Majuri’s work is the openness of the images. They are not forcing ideas upon us but once we dig past the beautiful aesthetics her work makes comments on nature, beauty and human ability.

In this video Susanna Majuri talks through some of her images and her use of water.